Office: 01322 66 77 09 Fax: 01322 22 12 72- Mobile: 07908 367 665 - Unit 4c Button St Business Park, Swanley Village, Kent BR88DX hire@sound-services.co.uk
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FUNKTION ONE XO1 ACTIVE CROSSOVER The XO-1 features 2 inputs and 6 outputs, each output features crossover filters, 5 band parametric equaliser configurable as high and low shelving filters plus limiter and delay. Full metering is provided for inputs and outputs, with mute and access buttons allowing quick set up and gain adjustment. |
£35.00 |
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Klark-Teknik Square One Dynamics Processor Default Compressor: RMS sensing type. With both mode switches inactive the compressor behaves in the default Soft Knee and RMS mode. This gives the slowest (and most subtle) feel to the compressor envelopes. The soft knee curvature combines with the adaptive RMS attack and release times to produce gentle envelope curvatures that are ideal for compressing sung vocals but which can still be aggressive enough to limit transients when needed. The knee curvature also reduces the adaptive nature of the RMS detection slightly, providing a little more manual control of the envelope timings than is the case below. When Hard Knee is activated the compressor operates in a more clinical way with a more defined transition between under threshold and over threshold; this is better suited to limiting style compression. A small amount of soft knee is still retained keeping the sound reasonably natural but no modification of the envelope occurs. This means that attacks are more aggressive, but it also allows the adaptive nature of the RMS detection to operate to its fullest extent. This mode is good for natural sounding limiting of speech.
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£35.00 |
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Klark-Teknik Square One Dual 31 band Equaliser The “Q” or bandwidth of the Square ONE’s filters is proportional to the gain applied, and so gives increasing focus on real problem frequencies. This also means that adjacent filters sum together with minimum phase error, providing smooth, ripple-free summation. High Pass Filters When using more compact loudspeakers, use the 80Hz. knee of the Square ONE HPF for maximising their headroom and efficiency (If using your Square ONE graphic with foldback loudspeakers which have an extended bass response, the HPF can still be used, in fact, useful results can be obtained by “bending” the knee of the HPF, by boosting the 63Hz fader on |
£30.00 |
Lexicon PCM 81 The Lexicon PCM 81 Digital Effects Processor has everything that made the PCM 80 the top choice among studio effects processors, and more. More effects (300 presets), more algorithms, and longer delay (20 seconds). Each effect has an uncompromised stereo reverb with several voices of additional effects. A full complement of Pitch Shifters provides doubling, quadruple-tracking, chorus, and pitch correction within a range of up to 3 octaves up or down in one cent increments. With 2 Lexichip processors, 24-bit internal processing, a true stereo signal path, balanced analog I/O, full AES/EBU, and S/PDIF digital I/O, the ability to mix analog and digital, and extensive modulation capabilities, the Lexicon PCM 81 offers a wide range of studio quality effects. |
£35.00 |
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Lexicon PCM 91 The PCM 91 Digital Reverberator offers Lexicon's highest quality reverbs in a compact, affordable package with a powerful interface which allows both easy access and a wealth of programming capabilities for the sound designer. All of the features of the acclaimed PCM 90 are included, plus full AES/EBU I/O, new Dual Reverb algorithms, and new presets with dynamic spatialization effects for 2-channel or surround applications. All of the Dual Reverb algorithms and presets (available for the PCM 90 on a PC card) are built into the PCM 91. 450 presets provide sounds for real-world applications— and a unique KeyWord search and sort function allows you to find the preset you want fast. A PCM CIA card slot allows you to store your own programs on memory cards. |
£35.00 |