sound-service header

EQUIPMENTPRICESFUNKTION-ONECONTACTTERMSINSTALLSSHOP

DJ Equipment Microphones Speakers Amplifiers Mixers Multicores Lighting Outboard Staging Funktion-One

 


Below is a list of the signal processing equipment we have available to hire including EQ units, crossovers, dynamics processors and fx and reverb units.
Picture
About

The DBX 160A Mono Compressor

The DBX 160A delivers overeasy or classic hard-knee compression with ultra-musical, program-dependent attack and release times. Variable compression ratio from 1:1 through infinity:1 to negative compression. Input or output and gain reduction over a wide range are monitored by precision dual RMS LED displays that can be calibrated for different operating levels. Over 60dB of gain reduction. The dbx 160A has independent balanced and unbalanced outs can drive 600 ohm loads to +24dBm simultaneously.

The main features of the DBX 160A include:

OverEasy or classic hard-knee compression
Ultra-musical, program-dependent attack and release times
Variable compression ratio from 1:1 to negative compression
Adjustable dual RMS LED display
Over 60dB of gain reduction
Independent balanced and unbalanced out

FUNKTION ONE XO4

4 Balanced Inputs, 8 Balancedoutputs allowing a Stereo 4-way system or 4 Bi-amp monitor mixes
Route any input to any output, summing and pre-defined formats for quick common set-ups.
AES/EBU inputs and outputs supplied as standard on every unit.
1-192kHz AES input which is then sample rate converted to 96K.
28 band Graphic EQ on each input.
Choice of crossover filters including: 1st order 6dB, Bessel and Butterworth
48dB and Linkwitz-Riley 12dB and 48dB.
Choice of PEQ shapes including: Elliptical, Bandpass, Notch, Vari Q Low Shelf, Vari Q High Shelf.
4 extra output parametrics giving a total of 9 PEQ’s per output
(48dB filter slope choice uses 1 extra PEQ per slope)
Dual limiter: XTA limiter plus ‘Dmax’ limiter
Allpass 1st order and 2nd order and phase filters
Status LED’s showing Comms activity and AES input and output status.
Fine output delay steps, giving 0.3microsecond steps
30 KHZ NW and a Dynamic range greater than 114dB!
New Wakabout Wireless Kit

 

Electro-voice EV Dx38 Loud Speaker Processor


Providing 48-bit filter algorithms, 24-bit AD/DA conversion and a dynamic
range of 115 dB, the Dx 38 sets new standards for digital loudspeaker
controllers and processors. The Dx 38 is an universal Digital
Sound System Processor that provides 2 inputs and 4 outputs; plus
internal summing of the inputs 1 and 2. Via matrix it is possible to assign
the outputs to any input or to the sum of the inputs. It is further possible
to establish the following configurations: Stereo or Dual 2-Way systems,
3-Way + Direct and 4-Way systems, each with Mono Sub-channel,
but also full range systems.

High and low-pass filters are provided for the frequency crossover
functions in all operation modes. The selection includes Linkwitz-Riley,
Butterworth and Bessel type filters with switchable slopes between 6,
12, 18 and 24 dB/oct. A huge number of additional filters offers
extremely flexible correction of the frequency response. Each input
incorporates a 5-band equalizer, allowing to assign high and low-pass,
high and low-shelving or parametric peak-dip filters to its individual filter
sections.

Klark-Teknik Square One Dynamics Processor

Default Compressor: RMS sensing type. With both mode switches inactive the compressor behaves in the default Soft Knee and RMS mode. This gives the slowest (and most subtle) feel to the compressor envelopes. The soft knee curvature combines with the adaptive RMS attack and release times to produce gentle envelope curvatures that are ideal for compressing sung vocals but which can still be aggressive enough to limit transients when needed. The knee curvature also reduces the adaptive nature of the RMS detection slightly, providing a little more manual control of the envelope timings than is the case below. When Hard Knee is activated the compressor operates in a more clinical way with a more defined transition between under threshold and over threshold; this is better suited to limiting style compression. A small amount of soft knee is still retained keeping the sound reasonably natural but no modification of the envelope occurs. This means that attacks are more aggressive, but it also allows the adaptive nature of the RMS detection to operate to its fullest extent. This mode is good for natural sounding limiting of speech.

 

Klark-Teknik Square One Dual 31 band Equaliser

The “Q” or bandwidth of the Square ONE’s filters is proportional to the gain applied, and so gives increasing focus on real problem frequencies. This also means that adjacent filters sum together with minimum phase error, providing smooth, ripple-free summation.
This filter mapping is also implemented on the World-leading Klark Teknik DN370, and is the most appropriate for live sound reinforcement.

High Pass Filters
The HPF on graphic equalisers are used to remove unwanted subsonic frequencies (traditionally about 30Hz). The HPF on the Square ONE graphic is set at 80Hz. If using your Square ONE graphic with a large speaker system, then you will almost certainly be using an active crossover, which should provide appropriate subsonic protection. In this case, leave the HPF out of circuit.

When using more compact loudspeakers, use the 80Hz. knee of the Square ONE HPF for maximising their headroom and efficiency (If using your Square ONE graphic with foldback loudspeakers which have an extended bass response, the HPF can still be used, in fact, useful results can be obtained by “bending” the knee of the HPF, by boosting the 63Hz fader on
the graphic).

Lexicon PCM 81

The Lexicon PCM 81 Digital Effects Processor has everything that made the PCM 80 the top choice among studio effects processors, and more. More effects (300 presets), more algorithms, and longer delay (20 seconds). Each effect has an uncompromised stereo reverb with several voices of additional effects. A full complement of Pitch Shifters provides doubling, quadruple-tracking, chorus, and pitch correction within a range of up to 3 octaves up or down in one cent increments. With 2 Lexichip processors, 24-bit internal processing, a true stereo signal path, balanced analog I/O, full AES/EBU, and S/PDIF digital I/O, the ability to mix analog and digital, and extensive modulation capabilities, the Lexicon PCM 81 offers a wide range of studio quality effects.

Lexicon PCM 91

The PCM 91 Digital Reverberator offers Lexicon's highest quality reverbs in a compact, affordable package with a powerful interface which allows both easy access and a wealth of programming capabilities for the sound designer. All of the features of the acclaimed PCM 90 are included, plus full AES/EBU I/O, new Dual Reverb algorithms, and new presets with dynamic spatialization effects for 2-channel or surround applications. All of the Dual Reverb algorithms and presets (available for the PCM 90 on a PC card) are built into the PCM 91.

450 presets provide sounds for real-world applications— and a unique KeyWord search and sort function allows you to find the preset you want fast. A PCM CIA card slot allows you to store your own programs on memory cards.
Sound-Services hire reverb units, effects units, compressors, crossovers, active crossovers, delay units, limiters, equalisers, eq's, graphic eq's in London and Kent

Copyright © 2010 Sound-Services Online